Absolutly. Another comic. The whole image was simple enough, but this time the idea was to get three colours done. So I needed three templates, and I had to think the whole thing through to keep the necessary positive/negative bits of the various templates to be able to shade the different layers when I needed to. I was very pleased with myself at the time and I still think the image has a great expression, but I was also beginning to feel that the whole idea of recreating a small image as perfectly as possible in a larger size was getting boring. Yes, I had proven the point, but nothing else. I started to try things out, like "injuring" the perfect surface directly after spraying, or spraying dots and shadows around the image. I could feel that there was more to this, but I did not know yet how to get to it.
Elektra: Template (one of three) |
Elektra: 70 x 100 cm |
I knew that I had found something good when I saw the contrasts between the red and black parts of the image. Somehow the borders played tricks on the eye. The colour was thick and heavy (and expensive) and had a crazy, intense quality to it. The only other colour that came close to it was hull paint. O boy. You could almost feel the heavy metal particles settle in your lungs while using it.
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